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The young lens man found his geo-cultural transition full of uncertainty and upheaval.
Hegenbarth’s banal vernacular habitations exude familiarity, yet there is also a cool detachment of someone peripheral. Abandoned and devoid of human infraction, there is a north European aesthetic, similarly projected through the anonymous cityscapes of German photographer Thomas Struth.
Disunion is the debut solo exhibition of photographs by Benya Hegenbarth. German-Thai photographer presents a series of dislocated architectural landscapes from northern Europe (16 photographs).
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